Vanity Fair? Understanding Contemporary Links between Fashion, Museum and Nation
Bibliographic Data
| ID | 3075169 |
|---|---|
| Authors | Marie Riegels Melchior (0000-0002-2960-6941, corresponding author) |
| Year | 2012 |
| Volume | 42 |
| Issue | 1 |
| Publication date | 2012-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Ethnologia Europaea (JOURNAL) |
| Journal identifiers | ISSN: 0425-4597 • E-ISSN: 1604-3030 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.16995/ee.1091 |
| OpenAlex | W3094060553 |
| Language | EN |
In this paper, fashion is analyzed as a complex system that synthesizes the provision of clothes with the production of symbolic value. Through a case study of Denmark, I question contemporary links between fashion, museum and nation, and introduce the concepts of “fashion nation” and “fashion museology”. I argue that the museum’s and nation’s longing for newness, appeal to attention, and adaptation to the commercial market do not merely constitute a shallow quick-fix; rather, deeper ramifications and potentials arise as fashion promotes cosmopolitan nationalism, one in which cultural heritage and national values are not reduced to defensive strongholds in the face of globalization, but cultivated as renewable resources that can be reinvented in interaction with global society
Aesthetics · Appeal · Archaeology · Art · Art history · Clothing · Cultural heritage · Environmental ethics · Exhibition · Globalization · Media studies · National museum · Nationalism · Political science · Politics · Social science · Sociology · Anthropology · Art, Politics, and Modernism · Cultural Industries and Urban Development · Fashion and Cultural Textiles · History · Law · Museology
| Highly cited | No |
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