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Ecofeminist discourse and fluid lyrical sexualities

Julia de Burgos’sRío Grande de Loíza

Bibliographic Data

ID3076842
AuthorsMary Ann Gosser Esquilín (Florida Atlantic University, corresponding author)
Year2016
Volume5
Issue2
Pages155-181
Publication date2016-09-29
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Language and Sexuality (JOURNAL)
Journal identifiersISSN: 2211-3770 • E-ISSN: 2211-3789
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/jls.5.2.02esq
OpenAlexW2538032987
LanguageEN
References cited14

The traditional reading of Julia de Burgos's (1914-1953) poem "Río Grande de Loíza" positions the river as a male lover. An ecofeminist reading yields a very different reading and raises other questions about the gendered and sexual message circulating within the poem. In my reading, the river becomes a fluid, lyrical mirror reflecting the poet's quest for transnational and transsexual freedom unbound by female corporeality. Burgos invokes the river as a non-human Other interlocutor in order to deconstruct both the geographic and political boundaries imposed by US colonial hegemony and the sexual ones foisted by patriarchal-oriented Puerto Rican nationalists who viewed sexuality as heteronormative. By the 1930s, landscapes had been appropriated as symbols of the fatherland and a distinct Puerto Rican identity. Burgos's language establishes instead a fluvial proto-feminist discourse of empowerment by imagining multiple sites of corporeal pleasure that transcend national barriers and offers alternative poetic fluid sexualities

Aesthetics · Art · Essentialism · Human sexuality · Identity (music · Literature · Masculinity · Pleasure · Poetry · Political science · Politics · Reading (process · Sociology · Transgender · Transsexual · Asian American and Pacific Histories · Ecocriticism and Environmental Literature · Gender Studies · Geographies of human-animal interactions · Philosophy · Psychology

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