A Cultura Popular Vai Ao Museu
A Tropicália De Hélio Oiticica
Bibliographic Data
| ID | 3086364 |
|---|---|
| Authors | Carla Hermann (0000-0002-7313-1672, Universidade do Estado do Rio de Janeiro, corresponding author) |
| Year | 2010 |
| Volume | 7 |
| Issue | 1 |
| Publication date | 2010-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Textos Escolhidos de Cultura e Arte Populares (JOURNAL) |
| Journal identifiers | ISSN: 1980-3281 • E-ISSN: 1981-9935 |
| Publisher | Universidade de Estado do Rio de Janeiro (PUBLISHER) |
| DOI | 10.12957/tecap.2010.12147 |
| OpenAlex | W1972945035 |
| Language | EN |
| References cited | 2 |
Based on the idea of contemporary cultural manifestations as hybrid cultures, this article aims at understanding how a sense of brazilianity is structured being equally hybrid, and uses Hélio Oiticica’s work Tropicália (1967) for visual and aesthetic example. Interpreting popular culture as the result of the double movement of resisting and containing, and considering the changes suffered by the most traditional aspects of culture as well as the transformations resulting from them on the globalizing world and its technical and scientific environments, the legitimacy of the referred work of art as popular art is not approached. Instead, the installation is seen here as part of popular Brazilian culture, a manifestation able to reveal symbolic, political and cultural issues as well as illustrate a hybrid brazilianity under construction
Aesthetics · Art · Art history · Legitimacy · Literature · Political science · Politics · Popular culture · Sociology · Visual arts · Cultural, Media, and Literary Studies · Law · Literature, Culture, and Criticism · Urban and sociocultural dynamics
| Highly cited | No |
|---|