Brazilian Performers go beyond the Street
The Queering and artification of Hip Hop
Bibliographic Data
| ID | 3087630 |
|---|---|
| Authors | Daniela Vieira Dos Santos (0000-0003-4202-6084, Kyiv National University of Culture and Arts, corresponding author), D Pardue (0000-0002-8199-294X) |
| Year | 2023 |
| Volume | 42 |
| Issue | 2 |
| Pages | 351-370 |
| Publication date | 2023-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Novos Estudos - CEBRAP (JOURNAL) |
| Journal identifiers | ISSN: 0101-3300 • E-ISSN: 1980-5403 |
| Publisher | Novos Estudos - CEBRAP (PUBLISHER) |
| DOI | 10.25091/s01013300202300020007 |
| OpenAlex | W4387982654 |
| Language | EN |
| References cited | 8 |
In this article we argue that Brazilian hip hop has opened up and become transgressive in terms of commodification practices, spaces of performative occupation and racial and gendered identification. Such expansion has meant not only an ideological broadening of what counts as hip hop and Black but also where such expressions are recognized as legitimate. This article focuses on the work of Emicida, Linn da Quebrada, Rico Dalasam and Jup do Bairro
Aesthetics · Art · Commodification · Ideology · Media studies · Performative utterance · Political science · Politics · Sociology · Arts and Performance Studies · Brazilian cultural history and politics · Gender Studies · Law · Music History and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |