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Instrumento musical como categoria de pensamento

Reflexões sobre técnica e tecnologia desde uma Antropologia da Música

Bibliographic Data

ID3096201
AuthorsJoão Alexandre Straub Gomes (0009-0005-4528-382X, Universidade Federal de Pelotas), R D S Noleto (0000-0003-3140-5062, Universidade Federal de Pelotas)
Year2024
Volume32
Issue2
Pagese228071
Publication date2024-12-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePonto Urbe (JOURNAL)
Journal identifiersISSN: 1981-3341 • E-ISSN: 1981-3341
PublisherUniversidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER)
DOI10.11606/issn.1981-3341.pontourbe.2024.228071
OpenAlexW4406385689
LanguageEN

Through ethnographic research developed with luthiers and other types of musical instrument builders in the state of Rio Grande do Sul, this article presents a reflection on the concepts of technique, technology, musical instrument and music. Starting from an epistemological approach of the Anthropology of Technique and Technology, we seek to reflect on how Musical Sciences, understood as an area of knowledge production that concerns Music in its sound, epistemological and organological sense, can contribute in a peculiar way to the requalification of concepts used in other fields such as Philosophy and Anthropology itself. More than artifacts used to make music, we propose that musical instruments are categories of thought, which refer to a specific type of "technical object" or "thing" that is constituted in the flow of materials

Humanities · Brazilian cultural history and politics · Philosophy · Psychology

Citation velocityhistorical
Highly citedNo

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