The End of Art
Bibliographic Data
| ID | 3120506 |
|---|---|
| Authors | Nicola Carroll (0000-0001-8344-1220, University of Wisconsin–Madison, corresponding author), Noël Carroll |
| Year | 1998 |
| Volume | 37 |
| Issue | 4 |
| Pages | 17-29 |
| Publication date | 1998-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | History and Theory (JOURNAL) |
| Journal identifiers | ISSN: 0018-2656 • E-ISSN: 1468-2303 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/0018-2656.651998065 |
| OpenAlex | W2106243712 |
| Language | EN |
| Citations received | 3 |
This article focuses on the arguments that Arthur Danto has advanced for alleging that the developmental history of art is over. The author is skeptical of Danto's conclusion and maintains that Danto has failed to demonstrate that art history is necessarily closed. The author also contends that Danto's end-of-art thesis is better construed as a specimen of art criticism than as an example of the speculative philosophy of art history
Aesthetics · Art · Art history · Criticism · End of history · Epistemology · History of art · Literature · Politics · Skepticism · Visual arts · Aesthetic Perception and Analysis · Art History and Market Analysis · Art, Politics, and Modernism · Law · Philosophy
| Citations per year | 0.27 |
|---|---|
| Citation span | 2015 - 2025 (11) |
| Highly cited | No |