Regina Coeli-Doctrine and Iconography of the Virgin Mary's Heavenly Royalty
Bibliographic Data
| ID | 3134569 |
|---|---|
| Authors | José Maria Salvador González (0000-0001-6854-8652, Universidad Complutense de Madrid, corresponding author) |
| Year | 2023 |
| Volume | 14 |
| Issue | 6 |
| Pages | 815 |
| Publication date | 2023-06-20 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel14060815 |
| OpenAlex | W4381660754 |
| Language | EN |
| References cited | 4 |
This article aims to highlight the privileged status granted by Christianity to the Virgin Mary when considering her the Queen of Heaven. From the very early centuries of our era, this sublime title was assigned to the Virgin Mary, for her condition of Mother of God, by an increasing number of Church Fathers and theologians. Later, it was expounded by an uncountable number of medieval liturgical hymns. Finally, from the 12th century onwards, these textual proclamations were shaped in sculptures and paintings according to various iconographic types. The author will proceed by first analyzing a large corpus of texts by many Church Fathers, theologians, and hymnographers. Then, he will consider twenty sculptures and paintings which reflect the heavenly royalty of Mary according to five iconographic types
Aesthetics · Altar · Art · Art history · Beauty · Christianity · Doctrine · Heaven · Iconography · Literature · Painting · Sculpture · Sublime · Theology · Libraries, Manuscripts, and Books · Philosophy · Religious Tourism and Spaces · Theology and Canon Law Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |