A new stereophonic sound spectacular
Shibuya-kei as transnational soundscape
Bibliographic Data
| ID | 3135375 |
|---|---|
| Authors | Martin Robert (0000-0002-8010-1068), Martin Roberts (0000-0003-2680-9812, Hallym University, corresponding author) |
| Year | 2013 |
| Volume | 32 |
| Issue | 1 |
| Pages | 111-123 |
| Publication date | 2013-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s026114301200058x |
| OpenAlex | W1996004668 |
| Language | EN |
| Citations received | 3 |
| References cited | 13 |
This paper focuses on Shibuya-kei, a style of independent popular music that emerged in Japan in the late 1980s and which has been influential in the popularisation of J-pop worldwide. Although usually treated as a uniquely Japanese musical genre, Shibuya-kei was from its inception defined by an ostentatious internationalism, fusing jazz, easy listening and bossa nova with British, American and French retro-pop styles. Tracing the international itineraries of Shibuya-kei musicians and the role of Western musicians and labels in promoting it outside Japan, this paper characterises Shibuya-kei not as just another J-pop genre but as a transnational soundscape, a collaborative project produced by a network of musicians circulating between Japan and the UK, the US, France, Germany, Spain and Brazil. As such, the paper suggests, it requires us to rethink the place of the national in relation to popular music
Acoustics · Active listening · Art · Art history · Jazz · Media studies · Musical · Popular music · Sociology · Sound (geography · Soundscape · Visual arts · Asian Culture and Media Studies · Communication · History · Hong Kong and Taiwan Politics · Music History and Culture
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,43 |
| Citation span | 2019 - 2024 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |