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The Mandorla Symbol in Byzantine and Post-Byzantine Iconography of the Dormition

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Bibliographic Data

ID3137087
AuthorsRostislava Georgieva Todorova (0000-0003-3908-4793, Shumen University, corresponding author)
Year2023
Volume14
Issue4
Pages473
Publication date2023-04-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel14040473
OpenAlexW4362591099
LanguageEN
Citations received1
References cited5

The present study examines the use of the mandorla symbol in Byzantine and post-Byzantine iconography of the Dormition. The research aims to outline the reasons for the adoption of the mandorla in the iconographic scheme of the subject as a means of visualizing the heavenly Eden and the Glory of God's presence. It traces the main stages in the development of the Dormition iconography and the creation of its principal models, highlighting the diversity of the patterns in the post-Byzantine art in the Balkans

Art · Byzantine architecture · Byzantine studies · Computer security · Epistemology · Glory · Iconography · Linguistics · Literature · Visual arts · Byzantine Studies and History · Classics · Computer Science · Eurasian Exchange Networks · Historical, Religious, and Philosophical Studies · History · Philosophy

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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