Medieval Holy Sepulchre Chapels
Experience and Memory of Jerusalem
Bibliographic Data
| ID | 3142444 |
|---|---|
| Authors | Cecily Hennessy (0009-0007-0977-452X, Oldham Council, corresponding author) |
| Year | 2024 |
| Volume | 15 |
| Issue | 6 |
| Pages | 741 |
| Publication date | 2024-06-18 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel15060741 |
| OpenAlex | W4399859934 |
| Language | EN |
| References cited | 14 |
This paper explores the rituals enacted in or connected with two medieval churches, one walrus ivory cross and a central topic of medieval devotion, Christ's passion. During Easter Week these memorialised the site in Jerusalem dedicated to the burial of Christ, the holiest place in Christendom. It focuses on the physical elements, the spaces, the paintings and sculpture, the ceremonial objects and relics and the performative nature of rituals associated with them. The Regularis Concordia, composed in Winchester at the end of the 10th century for the use of Benedictine monasteries included sung liturgical enactments based on the gospel accounts of Christ's burial and resurrection. At the same time, in Saxony, the Abbey at Gernrode was founded for the use of women, secular canonesses, with a space in the south aisle that seems to have represented Christ's place of burial and was later incorporated into two chambers evoking the Holy Sepulchre Chapel in Jerusalem. In the 12th century in Winchester Cathedral, a Holy Sepulchre Chapel was decorated with wall paintings depicting Christ's death and resurrection. Around this time, the walrus ivory cross known as the Cloisters Cross was created and appears to have been designed for use in the increasingly elaborate liturgical enactments. The paintings at Winchester Cathedral, the sculpture at Gernrode and the Cloisters Cross each evidence the significance of evoking Christ's passion and how liturgical space and objects served to bring it to life
Archaeology · Geochemistry · Archaeology and Historical Studies · Byzantine Studies and History · Historical and Linguistic Studies · History · Geology
Art, Architecture, and the Moving Viewer, c. 300-1500 CE
The Architecture of the Christian Holy Land
Lateinische Osterfeiern und Osterspiele, Teil 1
Religious Drama and Ecclesiastical Reform in the Tenth Century
Manuel I Komnenos and the Stone of Unction
Natural Materials of the Holy Land and the Visual Translation of Place, 500–1500
| Highly cited | No |
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