Neoliberal Forms
Bibliographic Data
| ID | 3149330 |
|---|---|
| Authors | Joseph Jonghyun Jeon, Joseph Jeon (0000-0003-3249-2532, corresponding author) |
| Year | 2014 |
| Volume | 126 |
| Issue | 1 |
| Pages | 85-111 |
| Publication date | 2014-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2014.126.1.85 |
| OpenAlex | W2332382251 |
| Language | EN |
| Citations received | 2 |
This paper examines the co-implications of CGI filmmaking, US hegemony, and neoliberal financialization as manifested in Korea's "IMF crisis cinema." These films are populated by what I term neoliberal forms that epitomize the effort in this cinema to reflect on the innate proximity of popular filmmaking to finance, and specifically on the proximity between its own material apparatus and the economic apparatus that the IMF crisis inserted into the center of Korean public discourse
Art · Art history · Dismissal · Economic history · Economics · Economy · Filmmaking · Financial crisis · Financialization · Hegemony · Keynesian economics · Market economy · Media studies · Movie theater · Political economy · Political science · Politics · Sociology · Asian Culture and Media Studies · Cinema and Media Studies · Cultural Industries and Urban Development · Law
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2016 - 2017 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |