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Gauging Music Vitality and Viability

Three Cases from Cambodia

Bibliographic Data

ID3158286
AuthorsCatherine Grant (0000-0003-2952-8426), Chhuon Sarin
Year2016
Volume48
Pages25-47
Publication date2016-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueYearbook for Traditional Music (JOURNAL)
Journal identifiersISSN: 0740-1558 • E-ISSN: 2304-3857
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.5921/yeartradmusi.48.2016.0025
OpenAlexW2560755466
LanguageEN
Citations received4
References cited12

Over a decade ago, UNESCO's Convention for the Safeguarding of Intangible Cultural Heritage professed that "the processes of globalization and social transformation" along with "the phenomenon of intolerance" were giving rise to "grave threats of deterioration, disappearance and destruction of the intangible cultural heritage" of the world (2003a). The Convention represented an international acknowledgement of the precarious predicament of many cultural expressions across the world, from languages, music, and dance traditions to worldviews and traditional environmental knowledge. While ethnomusicologists have been engaging for many decades with preservation and protection mechanisms for musical traditions, particularly those of ethnic and minority peoples, the 2003 Convention (and the suite of subsequent UNESCO and UN treaties around culture and heritage) provided further impetus for ethnomusicological engagement in safeguarding and sustainability work. Theoretical and applied research in this area has grown significantly in the last ten to fifteen years on topics ranging from music and tourism (e.g., Connell and Gibson 2005), music as heritage (e.g., Howard 2006), music and cultural rights (e.g., Weintraub and Yung 2009), and music revivals (e.g., Bithell and Hill 2014), to activist or community-oriented approaches to music sustainability (e.g., Pettan and Titon 2015; Schippers and Grant 2016

Aesthetics · Art · Convention · Cultural heritage · Environmental ethics · Intangible cultural heritage · Musical · Political science · Social science · Sociology · Visual arts · Cambodian History and Society · Diverse Musicological Studies · History · Law · Southeast Asian Sociopolitical Studies

  • Diamond Island bridge is falling down

    Open Access•Maurice Eisenbruch•International Journal of Disaster…•2021

  • Diamond Island bridge is falling down

    Open Access•Maurice Eisenbruch•International Journal of Disaster…•2021

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    Moses Nii-Dortey•Critical African Studies•2026

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  • Vanishing Songs

    Allan Marett•British Journal of Ethnomusicology•2010

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    Jeff Todd Tıton, Svanibor Pettan et al.•Oxford Handbook of Applied…•2015

  • Korean Pop Music

    Keith Howard•Korean Pop Music•2006

  • Developing a Triage System to Determine Approaches to Sustaining Intangible Cultural Heritage

    Catherine Grant•The International Journal of…•2013

  • Endangered musical heritage as a wicked problem

    Catherine Grant•International Journal of Heritage…•2015

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    David Morton, Jacques Brunet•Ethnomusicology•1974

  • Perspectives of Culture-Bearers on the Vitality, Viability and Value of Traditional Khmer Music Genres in Contemporary Cambodia

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Unique citing works4
Citations per year0,8
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 4

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