Elephants in the Music Room
Bibliographic Data
| ID | 3158697 |
|---|---|
| Authors | Nicholas Mathew, Mary Ann Smart |
| Year | 2015 |
| Volume | 132 |
| Issue | 1 |
| Pages | 61-78 |
| Publication date | 2015-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2015.132.1.61 |
| OpenAlex | W2336159277 |
| Language | EN |
| Citations received | 9 |
In this introduction to the forum Quirk Historicism, the editors describe the recent tendency of music scholars, in the wake of New Historicism, to avail themselves of objets trouvés and historical micronarratives for interpretation
Aesthetics · Art · Historicism · Interpretation (philosophy · Linguistics · Literature · New Historicism · Visual arts · Diverse Musicological Studies · History · Philosophy
Nineteenth-Century Opera and the Scientific Imagination
Opera and Hypnosis
Intentions in Theory and Practice
‘Opera and …’
Not in their Minds
Talking Scores and the Dismediation of Music Notation
Sound Object Lessons
The Integrity of Boulez's Integral Serialism
Actors and Accidents in South African Electronic Music
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,9 |
| Citation span | 2016 - 2023 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |