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BetweenFaqīrandFankār? Sounding Complex Subjectivities through Shah Jo Rāg in Sindh, Pakistan

Bibliographic Data

ID3163643
AuthorsPei-Ling Huang (0000-0002-8143-3718, corresponding author)
Year2020
Volume52
Pages41-67
Publication date2020-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueYearbook for Traditional Music (JOURNAL)
Journal identifiersISSN: 0740-1558 • E-ISSN: 2304-3857
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/ytm.2020.19
OpenAlexW3113600239
LanguageEN
References cited30

Rāgī faqīrsare devotees who perform Shah Jo Rāg, a musical tradition for singing Sufi poetry at the shrine of poet-mystic Shāh 'Abdul Latīf Bhiṭṭāī (1689-1752) in Sindh, Pakistan. Focusing on the life experiences of my teacher Manthār Faqīr, I historicise various subject positions that contemporaryrāgī faqīrsrefer to asfaqīr(devotee),fankār(performing artist),kārīgar(skilled artisan), and artist. Through Manthār Faqīr's performances, I analyse sonic manifestations of his complex subjectivities that at times shift, at times coexist, to demonstrate how he deploys sounded strategies emerging from different subject positions to balance devotion, artistry, legitimacy, and livelihood

Art · Legitimacy · Library science · Literature · Management · Poetry · Political science · Singing · Visual arts · Computer Science · History · Hong Kong and Taiwan Politics · Law · Music History and Culture · Theatre and Performance Studies

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Citation velocityhistorical
Highly citedNo

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