German Pietists and Church Music in the Baroque Age
Bibliographic Data
| ID | 3166536 |
|---|---|
| Authors | Joyce Irwin (Colgate University, corresponding author) |
| Year | 1985 |
| Volume | 54 |
| Issue | 1 |
| Pages | 29-40 |
| Publication date | 1985-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Church History (JOURNAL) |
| Journal identifiers | ISSN: 0009-6407 • E-ISSN: 1755-2613 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.2307/3165748 |
| OpenAlex | W2044281427 |
| Language | EN |
| Citations received | 1 |
Scholars of Pietism, the religious reform movement of the late seventeenth and early eighteenth centuries, have attempted in recent years to increase understanding and respect for the movement among American scholars. F. Ernest Stoeffler's The Rise of Evangelical Pietism (1971), Dale Brown's Understanding Pietism (1978), and Peter Erb's Pietists: Selected Writings (1983) all begin with a plea for open-minded recognition of Pietism's positive contributions. Our negative interpretation of the movement, they note, has been shaped largely by those opponents who first gave the Pietists their label
Aesthetics · Archaeology · Art · Art history · Baroque · German · Interpretation (philosophy) · Literature · Movement (music) · Pietism · Plea · Political science · Historical Legal Studies and Society · History · Law · Moravian Church and William Blake · Philosophy · Reformation and Early Modern Christianity · Religious studies
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |