Le cantique
L'Adhésion Par Le Chant
Bibliographic Data
| ID | 3167353 |
|---|---|
| Authors | Marlène Belly (corresponding author) |
| Year | 2000 |
| Volume | 217 |
| Issue | 3 |
| Pages | 563-576 |
| Publication date | 2000-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Revue de l histoire des religions (JOURNAL) |
| Journal identifiers | ISSN: 0035-1423 • E-ISSN: 2105-2573 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/rhr.2000.1048 |
| OpenAlex | W2042796608 |
| Language | EN |
| Citations received | 1 |
Canticles : singing is adhering Grignion de Montfort, conscious as he was of the power of the text-music combination, offers a pastoral in which vocal parts are prominent. Even though his poetic output is recorded in writing, it pertains to functioning, assimilating and memorizing processes that are characteristic of oral tradition songs. In the poems, musical and thematic choices, form and meaning help collective memory recording, which in turn makes the canticle a tool for group worship. Beyond that effect, Montfort's work reaches into the human individual, thus helping implement a more personal process
Acoustics · Aesthetics · Art · Epistemology · Linguistics · Literature · Meaning (existential) · Memorization · Musical · Poetry · Power (physics) · Singing · Theology · Worship · Communication · Diverse Cultural and Historical Studies · Historical Studies and Socio-cultural Analysis · Medieval European Literature and History · Philosophy · Psychology
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |