Peripheral contexts of artistic creativity
The Angolan case
Bibliographic Data
| ID | 3169090 |
|---|---|
| Authors | José Carlos Venâncio (0000-0003-0428-1914, University of Beira Interior, corresponding author) |
| Year | 2018 |
| Volume | 34 |
| Pages | 223-233 |
| Publication date | 2018-12-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Comunicação e Sociedade (JOURNAL) |
| Journal identifiers | ISSN: 1645-2089 • E-ISSN: 2183-3575 |
| Publisher | University of Minho (PUBLISHER • PT) |
| DOI | 10.17231/comsoc.34(2018).2946 |
| OpenAlex | W2905853380 |
| Language | EN |
| References cited | 3 |
After describing and discussing the conditions of artistic production in peripheral contexts, the course of the Angolan visual arts from the end of the colonial period to the present time is analysed, a period when these enjoy a relative international projection. This projection is the result of a double sustainability: on the one hand, the material conditions for creation and artistic production and, on the other hand, the sustainability or maintenance of an aesthetic pattern rooted in the tradition and history of the country
Aesthetics · Art · Creativity · Economics · Period (music · Political science · Production (economics · Projection (relational algebra · Sustainability · The arts · Visual arts · Computer Science · Cultural Industries and Urban Development · History, Culture, and Society · Law
| Highly cited | No |
|---|