A Case of Corporate Identity
The Multiplied Face of Saint Antonino of Florence
Bibliographic Data
| ID | 3186166 |
|---|---|
| Authors | U Kra, Urte Krass (0000-0002-7883-2371, corresponding author) |
| Year | 2015 |
| Volume | 131 |
| Issue | 1 |
| Pages | 1-21 |
| Publication date | 2015-08-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Representations (JOURNAL) |
| Journal identifiers | ISSN: 0734-6018 • E-ISSN: 1533-855X |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/rep.2015.131.1.1 |
| OpenAlex | W2280584640 |
| Language | EN |
| Citations received | 2 |
This article focuses on the development of portrait busts of saints beginning in the early Renaissance. The category of the portrait bust, which emerged slightly before 1440, is characterized by its reference to—and at times even integration of—the death mask of the recently deceased saint. As such, these images must be seen in close relation to traditional head and bust reliquaries. The particular group of busts showing the features of the Florentine archbishop Antonino Pierozzi is here analyzed through hitherto obscure written sources, and the proliferation of Pierozzi’s bust is then related to that of other saints
Aesthetics · Archbishop · Art · Art history · Bust · Linguistics · Portrait · SAINT · The Renaissance · Classics · Engineering · History · Philosophy · Renaissance and Early Modern Studies
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |