Temps de l'histoire, temps du cinéma
Bibliographic Data
| ID | 3193095 |
|---|---|
| Authors | Christian Delage (corresponding author) |
| Year | 1995 |
| Volume | 46 |
| Issue | 1 |
| Pages | 25-35 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Vingtième Siècle Revue d histoire (JOURNAL) |
| Journal identifiers | ISSN: 0294-1759 • E-ISSN: 1950-6678 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/xxs.1995.3151 |
| OpenAlex | W2072238409 |
| Language | FR |
| Citations received | 1 |
Historical time and time of the cinema, Christian Delage. The filmmaker reconstructs the past rather than reconstituting it, and thus meets the historian. The analysis of two major works by John Ford and Michael Cimino shows how the cinema historicizes a past event through the indirect agency of the narrative. In the fiction presented to the audience, the filmmaker, like the historian, faces representations inscribed in general history, while simultaneously modifying its meaning. American cinema carries on an almost ontological relation with duration and time; the question of its truthfulness presents the same methodological challenge as that driving contemporary historical research
Agency (philosophy · Art · Art history · Auteur theory · Duration (music · Epistemology · Event (particle physics · Film director · Film studies · Humanities · Inscribed figure · Literature · Meaning (existential · Movie theater · Narrative · Relation (database · Social science · Sociology · French Historical and Cultural Studies · Historical and Political Studies · Historical Studies and Socio-cultural Analysis · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2013 - 2013 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |