Black Yankees

The Development of an Afro-American Subculture in Eighteenth-Century New England

Bibliographic Data

ID3200161
AuthorsDonald M Jacobs, William D Piersen
Year1989
Volume46
Issue2
Pages396
Publication date1989-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe William and Mary Quarterly (JOURNAL)
Journal identifiersISSN: 0043-5597 • E-ISSN: 1933-7698
PublisherJSTOR (PUBLISHER)
DOI10.2307/1920269
OpenAlexW2015513021
LanguageEN
Citations received26

This book examines the development of an Afro-American subculture in eighteenth-century New England. Piersen concerns himself not with the machinery of slave control or the political and social disabilities of bondage, but with the processes of cultural change and creation from the black bondsman's point of view. What was it like to be an African immigrant in colonial New England? What attitudes and assumptions underlay the Afro-American response to Yankee culture? What does the development within the confines of a predominantly white and ethnocentric New England of an Afro-American folk culture in religion, public rituals, folk arts and crafts, social mores, and daily behavior say about the creation of American culture?On the face of it, the master class called the tunes and slaves danced the beat. Blacks who were taken into New England's bondage were clearly engulfed in a pervasive, narrow-minded Euro-American society that had no interest in fostering Afro-American autonomy. The New England experience was often cruel, and the numbers alone suggest it was among the most unequal of black/white cultural contacts in the New World. Nonetheless, despite the strictures of bondage, the black Yankees of eighteenth-century New England created a sustaining folk culture of their own

Botany · Genealogy · New england · Political science · Subculture (biology · American History and Culture · History · Law · Race, History, and American Society

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