The Black Man on Our Screens and the Empty Space in Representation
Bibliographic Data
| ID | 3210385 |
|---|---|
| Authors | Ed Guerrero (corresponding author) |
| Year | 1995 |
| Volume | 18 |
| Issue | 2 |
| Pages | 395-400 |
| Publication date | 1995-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Callaloo (JOURNAL) |
| Journal identifiers | ISSN: 0161-2492 • E-ISSN: 1080-6512 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/cal.1995.0054 |
| OpenAlex | W2066592466 |
| Language | EN |
| Citations received | 14 |
Callaloo - Volume 18, Number 2, Spring 1995
Art · Political science · Politics · Cinema and Media Studies · Computer Science · Law · Race, History, and American Society · Theater, Performance, and Music History
Civil Rights, Labor, and Sexual Politics on Screen in Nothing But a Man (1964)
Trans-American Constructions of Black Masculinity
Beyond Black
Cinethetic Racism
Racializing Redemption, Reproducing Racism
The representation of the black male in film
The white supremacy continuum of images for black men
Do African Americans Direct Science Fiction or Blockbuster Franchise Movies? Race, Genre, and Contemporary Hollywood
King Kong Ain't Got Sh** On Me”
Laughing Matters
Centering Black Boys
(Un)Natural Saviors and Motivators
Multivalent Recognition
Giants in the Frame
| Unique citing works | 14 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 1998 - 2026 (29) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 12 |