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Social interaction and rock art styles in the Atacama Desert (northern Chile)

Bibliographic Data

ID3212980
AuthorsFrancisco Gallardo (0000-0003-2871-7401, corresponding author)
Year2009
Volume83
Issue321
Pages619-633
Publication date2009-09-01
Open AccessYes
TypeARTICLE
VenueAntiquity (JOURNAL)
Journal identifiersISSN: 0003-598X • E-ISSN: 1745-1744
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0003598x00098872
OpenAlexW2205241164
LanguageEN
Citations received18
References cited24

In this ground-breaking study the author looks at three consecutive styles of rock art, placing them in the social context in which they were produced. Although necessarily succinct, the argument shows that as hierarchy increased and functioned over longer distances, rock art could perform as the organ of pastoralist authority, or the badge of marginalised hunters or, most often, as the imagery of consensus masking social inequality

Archaeology · Argument (complex analysis) · Art · Context (archaeology) · Desert (philosophy) · Ethnology · Geography · Hierarchy · Inequality · Masking (illustration) · Political science · Rock art · Social inequality · Sociology · Style (visual arts) · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Law · Pleistocene-Era Hominins and Archaeology

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Citations per year1.2
Citation span2011 - 2026 (16)
Highly citedNo

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