Performance and Aesthesis in Malay-World Musics, Religious and Secular
Bibliographic Data
| ID | 3218749 |
|---|---|
| Authors | Geoffrey Benjamin (0000-0002-5480-0615, Nanyang Technological University, corresponding author) |
| Year | 2022 |
| Volume | 13 |
| Issue | 9 |
| Pages | 852 |
| Publication date | 2022-09-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel13090852 |
| OpenAlex | W4296005398 |
| Language | EN |
| References cited | 9 |
The Malay World has been home to a range of social formations, from nomadic hunter-gatherers on land and sea, through (semi-)sedentary swiddeners and forest traders, to state-incorporated peasants and aristocrats. In their religious and secular musics, these populations display differing performance manners and organisation that reflect their distinctive socio-cultural and religious orientations. The musics serve to embed those orientations as aesthetically felt rather than conceptually talked about. The differences are encoded mainly onto contrasts between, on the one hand, highly heterophonic and/or starkly non-melismatic performance and, on the other, more homophonic and/or melismatic styles
Aesthetics · Art · Geography · Linguistics · Malay · Sociology · Asian Studies and History · Computer Science · Diverse Musicological Studies · Engineering · History · Musicology and Musical Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |