Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

An Image of the Past

Press Photography, Nazi Propaganda, and the Making of Politicized Memory

Bibliographic Data

ID3220599
AuthorsAmir Teicher (0000-0002-6890-2073, Tel Aviv University), Clara Tamir-Hestermann (Tel Aviv University)
Year2024
Volume96
Issue3
Pages632-681
Publication date2024-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of Modern History (JOURNAL)
Journal identifiersISSN: 0022-2801 • E-ISSN: 1537-5358
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/731714
OpenAlexW4402301482
LanguageEN
References cited23

This article reconstructs the history of a photograph that commonly accompanies public, popular, and academic discussions of Nazi racial policy. It reveals the true origins of this photo, overturning all existing attributions in the academic literature, in museums, and in the popular media. We uncover the reasons for the most common misattributions of this image and scrutinize its de- and recontextualization by various historical actors—from Weimar Germany’s illustrated press to Nazi Germany’s propaganda, from the Metropolitan Museum of Art in New York to Holocaust museums worldwide, and from Israeli media outlets to Turkish Twitter accounts. We show that the mobilization of this photograph for various and often conflicting purposes relates to its positioning within the stock photography business, in the present as well as in the previous century. Its popularity stems from its ability to occupy a certain niche within stock photography, one that taps directly into our imagination, our visual iconography, of the past. The stock photography context alters our understanding of the photograph’s actual essence and of its career. Its use to offer a reassuring picture of different national pasts and the continual transformations in its meaning thus furnish novel insights into the relations between visual evidence, propaganda, memory, and historical consciousness

Art · Art history · Media studies · Nazism · Photography · Political science · Politics · Sociology · The Holocaust · Visual arts · Italian Fascism and Post-war Society · Law · Photography and Visual Culture · Visual Culture and Art Theory

  • Public Identity and Collective Memory in U.S. Iconic Photography

    Robert Hariman, John Louis Lucaites•Critical Studies in Mass…•2003

  • NS-Volkstumspolitik und die Neuordnung Europas

    Andreas Strippel, Wolfgang Bernhardt•NS-Volkstumspolitik und die…•2011

  • Auslese für die Siedlergesellschaft

    Maria Fiebrandt•Auslese für die Siedlergesellschaft•2014

  • Buried by the Times

    Open Access•Laurel Leff•Buried by the Times•2005

  • Twitter as a Mnemonic Medium from an Ecological Perspective

    Dufays Dufays, Zícari Zícari et al.•History and Memory•2021

  • Reviving icons to death

    Open Access•Sandrine Boudana, Paul Frosh et al.•Media Culture & Society•2017

  • Inside the image factory

    Open Access•Paul Frosh•Media Culture & Society•2001

  • Remembering German Pasts

    Open Access•David F Crew, David Crew•Central European History•2000

  • Introduction

    Open Access•Elizabeth Harvey, Maiken Umbach•Central European History•2015

  • Beneath the Mustache

    Avner Wishnitzer•Journal of the Economic and…•2018

  • Constructing, confirming, and contesting icons

    Open Access•Mette Mortensen•Media Culture & Society•2017

  • Anthropology at War

    Andrew D Evans•Anthropology at War•2010

  • The ‘Jewish narrative’ in the Yad Vashem global Holocaust museum

    Amos Goldberg•Journal of Genocide Research•2012

  • Visualizing Fascism

    Claire Zimmerman, Maggie Clinton et al.•Visualizing Fascism•2020

  • Capturing the Moment, Picturing History

    Catherine E Clark•The American Historical Review•2016

  • Blut Und Boden

    Clifford R Lovin•Journal of the History of Ideas•1967

  • Visualizing Wartime Destruction and Postwar Reconstruction

    Tom Allbeson•The Journal of Modern History•2015

  • Anthropology and Antihumanism in Imperial Germany

    Andrew Zimmerman, Andi Zimmerman•Anthropology and Antihumanism in…•2001

  • Untangling the Meanings of Hair in Turkish Society

    Carol Delaney•Anthropological Quarterly•1994

Citation velocityhistorical
Highly citedNo
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae