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Reading, Taste and Postcolonial Studies

Professional and Lay Readers OfThings Fall Apart

Bibliographic Data

ID3234064
AuthorsJames Procter (Newcastle University, corresponding author)
Year2009
Volume11
Issue2
Pages180-198
Publication date2009-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInterventions (JOURNAL)
Journal identifiersISSN: 1369-801X • E-ISSN: 1469-929X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13698010903053253
OpenAlexW1775642123
LanguageEN
Citations received9
References cited19

This essay seeks to address and account for the central but paradoxically neglected role of reading and readers in postcolonial studies. Focusing closely on recorded book group discussions of Chinua Achebe's Things Fall Apart, it pursues a distinction between lay readers and professional readers of postcolonial fiction in order to examine both the specificity and limits of academic reading. Drawing on the work of John Guillory, David Carter, Rita Felski and others, it proposes that much of what currently passes for postcolonial reading might be regarded as a form of what Tony Bennett terms ‘really useless knowledge’. Reading here works to secure the political potential of writing in terms of the internal aesthetics of the text itself, rather than literature's conjunctural relations with and uses by different audiences. Finally, and without seeking to privilege lay over professional readings, it asks what professionial postcolonial readers might learn from taking the former more seriously. The paper emerges out of a collaborative AHRC-funded project (2006–2010) looking at readers of postcolonial and diasporic fiction (http://www.devolvingdiasporas.com/). During 2007 it recorded book group discussions across the UK, and in specific locations in Africa, India, Canada and the Caribbean

Aesthetics · Art · Colonialism · Literature · Media studies · Political science · Politics · Postcolonial literature · Sociology · Taste · History · Law · Postcolonial and Cultural Literary Studies · Psychology · South African History and Culture · South Asian Cinema and Culture

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Unique citing works9
Citations per year0,6
Citation span2011 - 2026 (16)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7
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