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Sacred Theatres

Listening to Homilies and Experiencing the Holy Beauty in 9th- and 10th-Century Byzantine Churches

Bibliographic Data

ID3240762
AuthorsCao Gu (Nanjing Normal University, corresponding author)
Year2023
Volume14
Issue12
Pages1460
Publication date2023-11-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel14121460
OpenAlexW4389056593
LanguageEN
Citations received1
References cited23

Although John Chrysostom is critical of the theatre, delivering a homily was never a tiresome monologue of the preacher in Byzantium; it was a theatrical performance combining text-reading and multiple ceremonies, during which spaces, lights, and materials were manipulated to create marvellous spectacles and enslave the audience spiritually and emotionally. At times, orators described the physical features of the venues where they spoke, as did Leo VI the Wise for two newly founded churches and Constantine VII Porphyrogenitus for the second most important church of the Empire, the Holy Apostles. But in most cases, the performance aspect of their speeches could only be known indirectly from two ceremonial handbooks, Kletorologion and De Ceremoniis. It is also necessary to indicate that the spectacles in homilies were not always real and present; they sometimes came to exist in listeners' minds through picturesque descriptions (ekphraseis) and fictional figures (ethopoiiai) composed by preachers

Active listening · Aesthetics · Ancient history · Apostles · Art · Beauty · Byzantine architecture · Empire · Homily · John Chrysostom · Literature · Sociology · Byzantine Studies and History · Classical Antiquity Studies · Classics · Historical and Religious Studies of Rome · History · Philosophy

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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