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Print and the Reformation

A Drama in Three Acts

Bibliographic Data

ID3249243
AuthorsAndrew Pettegree (University of St Andrews, corresponding author)
Year2017
Volume86
Issue4
Pages980-997
Publication date2017-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueChurch History (JOURNAL)
Journal identifiersISSN: 0009-6407 • E-ISSN: 1755-2613
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0009640717002116
OpenAlexW2777687190
LanguageEN
References cited20

Throughout the history of printing, questions of design have been crucial to the development of the book industry. This is especially the case with the development of the title page, the most crucial design feature for which there was no obvious model inherited from the manuscript book world. The Reformation both revolutionized the market for books and stimulated crucial innovations in the design and selling of books. This began in Wittenberg, where the partnership of Martin Luther and Lucas Cranach played a critical role in shaping the Reformation pamphlet. In lands more hostile to the Reformation, the design task was more complex, since design features intended to facilitate identification could place the seller or owner in deadly danger. This essay concludes with an examination of the market for devotional literature in the Dutch Republic, the home to Europe's most buoyant center of book production

Art · Drama · General partnership · Of Reformation · Political science · Theology · Visual arts · Classics · Historical Influence and Diplomacy · History · Law · Philosophy · Reformation and Early Modern Christianity · Renaissance Literature and Culture

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Citation velocityhistorical
Highly citedNo

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