The Triumph of Vulgarity. Rock Music in the Mirror of Romanticism
Bibliographic Data
| ID | 3252576 |
|---|---|
| Authors | Robert Pattison (corresponding author) |
| Year | 1989 |
| Volume | 22 |
| Issue | 1 |
| Pages | 135 |
| Publication date | 1989-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1575167 |
| OpenAlex | W2000131816 |
| Language | EN |
| Citations received | 22 |
Robert Pattison's new book discusses Romanticism, and the cross-currents between it and popular culture, using rock music as the main example. He shows that popular culture is not merely a continuation of folk culture or a spontaneous creation of the alienated masses, but a mirror-image of main-stream cultural doctrines
Art · Art history · Literature · Popular music · Rock music · Romanticism · Vulgarity · Music History and Culture
The Appropriation of Popular Culture
Representing popular music stardom on screen
Laughing otherwise
Redemptive violence and stuttering across the Atlantic
Anarchy, Pop and Violence
A hero to most
Mapping the Rebel Image
The Force of Environmental Lyrics in Pop Songs
The poetics of destruction
The power of the electric guitar
Adolescent music marginals
Randy Newman and the extraordinary moral position
Like a critique
A splendid time is guaranteed for all
Did rock smash the wall? The role of rock in political transition
The moan within the tone
Image Is Everything? Television and the Counterculture Message in the 1960s
Who Reads Literature? The Future of the United States as a Nation of Readers
How Does Hanoi Rock? The Way to Rock and Roll in Vietnam
Patti Smith and Modernism
A Cohesive Shambles
Le rock, au-delà du savant et du populaire
| Unique citing works | 22 |
|---|---|
| Citations per year | 0,61 |
| Citation span | 1990 - 2023 (34) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |