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Consuming the Tower of Babel and Japanese Public Art Museums-The Exhibition of Bruegel's "The Tower of Babel" and the Babel-mori Project

Bibliographic Data

ID3262559
AuthorsKei Uno (Tamagawa University, corresponding author)
Year2019
Volume10
Issue3
Pages158
Publication date2019-03-05
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel10030158
OpenAlexW2920265422
LanguageEN
References cited1

Two Japanese public art museums, the Tokyo Metropolitan Art Gallery and the National Art Museum of Osaka, hosted Project Babel, which included the Babel-mori (Heaping plate of food items imitating the Tower of Babel) project. This was part of an advertising campaign for the traveling exhibition "BABEL Collection of Museum Boijmans Van Beuningen: Bruegel's 'The Tower of Babel' and Great 16th Century Masters" in 2017. However, Babel-mori completely misconstrued the meaning of the Tower of Babel in Genesis 11:1-9. I explore the opinions of the curators at the art museums who hosted it and the university students who took my interview on this issue. I will also discuss the treatment of artwork with religious connotations in light of education in Japan. These exhibitions of Christian artwork provide important evidence on the contemporary reception of Christianity in Japan and, more broadly, on Japanese attitudes toward religious minorities

Archaeology · Art · Art history · Christianity · Contemporary art · Exhibition · Museum education · Performance art · Public art · Tower · Tower of Babel · Visual arts · Chinese history and philosophy · History · Japanese History and Culture · Religious Tourism and Spaces

Highly citedNo

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