Graphical Data Sets as Compositional Structure
Sonification of Color Graphs in RGB for Clarinet and Piano
Bibliographic Data
| ID | 3270345 |
|---|---|
| Authors | Thomas Metcalf (0000-0002-1594-8203, Thomas Metcalf, Worcester College, University of Oxford, U.K. Email: [email protected]., corresponding author) |
| Year | 2021 |
| Volume | 54 |
| Issue | 3 |
| Pages | 329-336 |
| Publication date | 2021-06-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.1162/leon_a_01964 |
| OpenAlex | W3083760400 |
| Language | EN |
| Citations received | 1 |
This article follows the methodology behind the composition of the author's piece RGB (2019) for clarinet and piano, a sonification of four color graphs generated from Jackson Pollock's Out of the Web (1949). The article demonstrates the process of "mapping" data to sound while creating allowances for compositional intuition. In this way, the author hopes to demonstrate the usefulness and flexibility of composing with this approach, as well as its future implications and potential improvements, while acknowledging that this is a specific example of such an approach rather than an all-encompassing taxonomy for any visual input
Art · Art history · Cognitive science · Computer graphics (images) · Human–computer interaction · Intuition · Piano · RGB color model · Sonification · Artificial Intelligence · Computer Science · Multisensory perception and integration · Music Technology and Sound Studies · Psychology · Tactile and Sensory Interactions
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |