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Biblical Performance Criticism

Survey and Prospects

Bibliographic Data

ID3284464
AuthorsPeter S Perry (0000-0003-1956-4626, Fuller Theological Seminary, corresponding author)
Year2019
Volume10
Issue2
Pages117
Publication date2019-02-18
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel10020117
OpenAlexW2913712828
LanguageEN
Citations received9
References cited25

Biblical Performance Criticism (BPC) analyzes communication events of biblical traditions for audiences. Every communication event of a tradition has four aspects: a communicator, traditions re-expressed, an audience, and a social situation. This essay surveys the history of BPC and its current prospects and points to the future work of developing a fine-grained theoretical foundation for its work. In the analytical mode, a scholar gathers and examines data from a past performance event to describe it, and its effects, in detail. In the heuristic mode, a performer presents a tradition to an audience in order to better understand its dynamics. In the practical mode, a person reflects on the performance of biblical traditions in daily life. In these ways, BPC reunites biblical scholarship fragmented by critical reduction, and bridges the academic and popular use of biblical traditions

Aesthetics · Art · Biblical criticism · Biblical studies · Criticism · Epistemology · Literature · Media studies · Performing arts · Political science · Scholarship · Sociology · Biblical Studies and Interpretation · Computer Science · Historical and Linguistic Studies · History · Law · Media, Religion, Digital Communication · Philosophy

  • Performing Early Christian Literature

    Kelly R Iverson, Kelly Iverson•Performing Early Christian…•2021

  • Oral Performance of the Synoptics

    Lee A Johnson•Oxford Handbook of the Synoptic…•2023

  • Exploring Potential Relationships Between the Fabula of LXXJudith and Hellenistic Theatre

    Nicholas Peter Legh Allen, Pierre J Jordaan•Journal of Early Christian History•2023

  • “It wasn’t about Me”

    Megan Wines•Postscripts The Journal of Sacred…•2022

  • Samaritan Israelites and Jews under the Shadow of Rome

    Open Access•Laura J Hunt•Religions•2023

  • Shifting Gears or Splitting Hairs? Performance Criticism's Object of Study

    Open Access•Zechariah Preston Eberhart, Zechariah Eberhart•Religions•2023

  • Mas(c/k) of a Man

    Open Access•Megan Wines•Religions•2023

  • Right on, Vashti

    Open Access•Jonathan Homrighausen•Religions•2023

  • Who Tells the Story? Challenging Audiences through Performer Embodiment

    Open Access•U-Wen Low•Religions•2023

  • The Living Text of the Gospels

    Open Access•D C Parker, David Parker•Living Text of the Gospels•1997

  • Postcolonialism and the Hebrew Bible

    Roland Boer•Postcolonialism and the Hebrew…•2013

  • Reading Acts

    William Shiell, William David Shiell•Reading Acts•2004

  • Oral Fixation or Oral Corrective? A Response to Larry Hurtado

    Open Access•Kelly R Iverson•New Testament Studies•2016

  • Oral Fixation and New Testament Studies? ‘Orality’, ‘Performance’ and Reading Texts in Early Christianity

    Open Access•Larry W Hurtado•New Testament Studies•2014

  • The Oral and the Written Gospel

    Open Access•Werner H Kelber, Walter J Ong et al.•Theology Today•1983

  • Semiotics and Bible translation

    Open Access•Robert Hodgson•Semiotica•2007

  • Orality and Performance in Classical Attic Prose

    Alessandro Vatri•Orality and Performance in…•2017

  • Ancient Literacy

    Open Access•William V Harris•Ancient Literacy•1989

  • Performance Studies

    Dwight Conquergood•TDR/The Drama Review•2002

Unique citing works9
Citations per year1,8
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

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