Biblical Performance Criticism
Survey and Prospects
Bibliographic Data
| ID | 3284464 |
|---|---|
| Authors | Peter S Perry (0000-0003-1956-4626, Fuller Theological Seminary, corresponding author) |
| Year | 2019 |
| Volume | 10 |
| Issue | 2 |
| Pages | 117 |
| Publication date | 2019-02-18 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel10020117 |
| OpenAlex | W2913712828 |
| Language | EN |
| Citations received | 9 |
| References cited | 25 |
Biblical Performance Criticism (BPC) analyzes communication events of biblical traditions for audiences. Every communication event of a tradition has four aspects: a communicator, traditions re-expressed, an audience, and a social situation. This essay surveys the history of BPC and its current prospects and points to the future work of developing a fine-grained theoretical foundation for its work. In the analytical mode, a scholar gathers and examines data from a past performance event to describe it, and its effects, in detail. In the heuristic mode, a performer presents a tradition to an audience in order to better understand its dynamics. In the practical mode, a person reflects on the performance of biblical traditions in daily life. In these ways, BPC reunites biblical scholarship fragmented by critical reduction, and bridges the academic and popular use of biblical traditions
Aesthetics · Art · Biblical criticism · Biblical studies · Criticism · Epistemology · Literature · Media studies · Performing arts · Political science · Scholarship · Sociology · Biblical Studies and Interpretation · Computer Science · Historical and Linguistic Studies · History · Law · Media, Religion, Digital Communication · Philosophy
Performing Early Christian Literature
Oral Performance of the Synoptics
Exploring Potential Relationships Between the Fabula of LXXJudith and Hellenistic Theatre
“It wasn’t about Me”
Samaritan Israelites and Jews under the Shadow of Rome
Shifting Gears or Splitting Hairs? Performance Criticism's Object of Study
Mas(c/k) of a Man
Right on, Vashti
Who Tells the Story? Challenging Audiences through Performer Embodiment
The Living Text of the Gospels
Postcolonialism and the Hebrew Bible
Reading Acts
Oral Fixation or Oral Corrective? A Response to Larry Hurtado
Oral Fixation and New Testament Studies? ‘Orality’, ‘Performance’ and Reading Texts in Early Christianity
The Oral and the Written Gospel
Semiotics and Bible translation
Orality and Performance in Classical Attic Prose
Ancient Literacy
Performance Studies
| Unique citing works | 9 |
|---|---|
| Citations per year | 1,8 |
| Citation span | 2021 - 2023 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 9 |