Les origines du groupe Pathe-Natan et le modele americain
Bibliographic Data
| ID | 3318709 |
|---|---|
| Authors | Gilles Willems (0000-0001-7125-4161, corresponding author) |
| Year | 1995 |
| Issue | 46 |
| Pages | 98 |
| Publication date | 1995-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Vingtième Siècle Revue d histoire (JOURNAL) |
| Journal identifiers | ISSN: 0294-1759 • E-ISSN: 1950-6678 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3771549 |
| OpenAlex | W2023220534, W4390366563, W4241164013 |
| Language | EN |
The origins of the Pathé-Natan group and the American model, Gilles Willems. The development of movie companies in the United States during the 1920s follows a pattern of industrial and financial transformation based on concentration and expansion. By comparison, the French cinema industry lost its pre-war primacy, demonstrated by the difrïculties of the Charles Pathé group. But the French case was synonymous with modernization and mergers, as shown by Bernard Natan's ascent
Art · Humanities · Modernization theory · Path (computing · Political science · Transformation (genetics · Cinema and Media Studies · Computer Science · French Historical and Cultural Studies · Historical Studies and Socio-cultural Analysis · Law
| Highly cited | No |
|---|