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Generative Photography

A Systematic, Constructive Approach

Bibliographic Data

ID3325960
AuthorsGottfried Jager (corresponding author)
Year1986
Volume19
Issue1
Pages19
Publication date1986-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherJSTOR (PUBLISHER)
DOI10.2307/1578296
OpenAlexW2319388181
LanguageEN
Citations received1
References cited1

The author discusses a medium he has termed ‘generative photography’, whereby the photographic process does not simply reproduce objects, but generates new images. He traces the development of generative photography in relation to experimental photography, apparatus art and exact aesthetics, covering the period from the 1920s to the present. Examples of generative works by both established and younger artists in Germany, the United States and Poland demonstrate the traditional technological and aesthetic origins of generative photography and the emerging place of this alternative medium in those countries. The author recounts his career, discussing each stage of his own generative work which is based on both an unconventional aesthetics and the deliberate application of technical method

Art · Computer vision · Constructive · Generative grammar · Photography · Process (computing) · Programming language · Visual arts · Artificial Intelligence · Computer Science · Photographic and Visual Arts · Photography and Visual Culture · Visual Culture and Art Theory

  • Concrete Photography

    Gottfried Jager•Leonardo•2018

  • Generative Systems versus Copy Art

    Sonia Landy Sheridan•Leonardo•1983

Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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