Progress in Color Composition
Bibliographic Data
| ID | 3327103 |
|---|---|
| Authors | Rudolf Arnheim (corresponding author) |
| Year | 1987 |
| Volume | 20 |
| Issue | 2 |
| Pages | 165 |
| Publication date | 1987-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1578333 |
| OpenAlex | W2326867153 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
The structural relations between pairs of tertiary colors are used to explore concord and discord in color composition. Recent demonstrations by Garau have extended these color relations to those between foreground and background, thereby enabling him to apply the structural relations between tertiaries to the conditions generating perceptual transparency. An example of paradoxical transparency in modern painting is given
Art · Composition (language) · Computer graphics (images) · Literature · Visual arts · Color perception and design · Color Science and Applications · Computer Science
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,09 |
| Citation span | 1991 - 2019 (29) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |