From "Liberating Voices" to "Metathetic Ventriloquism
Boundaries in Recent African-American Jazz Fiction
Bibliographic Data
| ID | 3330474 |
|---|---|
| Authors | Fritz Gysin (corresponding author) |
| Year | 2002 |
| Volume | 25 |
| Issue | 1 |
| Pages | 274-287 |
| Publication date | 2002-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Callaloo (JOURNAL) |
| Journal identifiers | ISSN: 0161-2492 • E-ISSN: 1080-6512 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/cal.2002.0018 |
| OpenAlex | W2041440862 |
| Language | EN |
| References cited | 15 |
In their introduction to Moment's Notice: Jazz in Poetry and Prose, Art Lange and Nathaniel Mackey assert that
Art · Art history · Jazz · Music History and Culture · Musicology and Musical Analysis · Poetry Analysis and Criticism
Double V, Double-Time
Blues, Ideology, and Afro-American Literature
Chant of Saints
Fingering the Jagged Grain
Atet A.D
Blues, Ideology, and Afro-American Literature
Moment's Notice
Jazz as a Cultural Archive
Black Chant
Liberating Voices
These Strange Dizzy Pauses
Black Chant
The Black Columbiad
Discrepant Engagement
Doubleness and Jazz Improvisation
| Citation velocity | historical |
|---|---|
| Highly cited | No |