Sculpting Sounds with Computers
Music, Science, Technology
Bibliographic Data
| ID | 3333905 |
|---|---|
| Authors | Jean-Claude Risset, Jean‐Claude Risset (corresponding author) |
| Year | 1994 |
| Volume | 27 |
| Issue | 3 |
| Pages | 257 |
| Publication date | 1994-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576064 |
| OpenAlex | W2321034399 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
The author is active as both a composer and a research scientist. The article emphasizes the inspiration that music can bring to science and technology. This is first shown through a number of historical examples, from classical Greece to the computer age. Problems involving the use of the computer to calculate musical sounds are discussed. The author describes the esthetic incentives in his computer compositions and explains how they relate to his research work on sound synthesis, sound processing and auditory perception, including paradoxes and illusions. The conclusion contends that art and science bring about complementary kinds of knowledge
Art · Computer graphics (images) · Multimedia · Visual arts · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |