Performing Exile in Real Time through a French Feminist Framework
Bibliographic Data
| ID | 3339264 |
|---|---|
| Authors | Vesna Milanovic (0000-0001-8548-366X, Sheffield Hallam University), Vesna D Milanovic (0000-0002-6765-5031, Sheffield Hallam University, corresponding author) |
| Year | 2011 |
| Volume | 44 |
| Issue | 2 |
| Pages | 117-122 |
| Publication date | 2011-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_00115 |
| OpenAlex | W1970836018 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
This paper discusses the theoretical, technological and personal processes in which the author engaged as a performance-technology researcher, leading to the creation of the Performance Online in Real Time (PORT) technology toolkit. The paper explains the process of creating a digital performance work and its theoretical framing based on French feminist philosophical and psychoanalytical theories. These enabled the author to establish a model for both a performing and a spectating position in digital performance
Framing (construction) · Human–computer interaction · Multimedia · Operating system · Process (computing) · Sociology · Computer Science · Contemporary art, education, critique · Engineering · French Literature and Critical Theory · Theatre and Performance Studies
| Citations per year | 0.08 |
|---|---|
| Citation span | 2013 - 2013 (1) |
| Highly cited | No |