Symmetry as a Superprinciple of Science and Art
Bibliographic Data
| ID | 3344067 |
|---|---|
| Authors | Alexander V Voloshinov, А В Волошинов (0000-0003-2500-4190, corresponding author) |
| Year | 1996 |
| Volume | 29 |
| Issue | 2 |
| Pages | 109 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576340 |
| OpenAlex | W2333924287 |
| Language | EN |
| Citations received | 5 |
| References cited | 1 |
It has been shown that the objective laws of harmony in art, known since antiquity—geometrical symmetry, proportion, the golden section, rhythm and approximate symmetry—are nothing more than modifications of the general principle of symmetry. A unification of the well-known laws of beauty on the basis of the general principle of symmetry makes it possible to refer to symmetry as the most important principle of harmony both in the universe and in art
Art · Geometry · Physics · Symmetry (geometry) · Theoretical physics · Chaos, Complexity, and Education · Earth Systems and Cosmic Evolution · Environmental, Ecological, and Cultural Studies · Mathematics
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 1999 - 2025 (27) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |