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The depiction of the individual in prehistory

Human representations in Magdalenian societies

Bibliographic Data

ID3347138
AuthorsOscar Fuentes (0000-0002-3980-0799, Université Paris Cité, corresponding author)
Year2013
Volume87
Issue338
Pages985-1000
Publication date2013-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAntiquity (JOURNAL)
Journal identifiersISSN: 0003-598X • E-ISSN: 1745-1744
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0003598x00049814
OpenAlexW1903202511
LanguageEN
Citations received14
References cited6

The Magdalenian stage of the Upper Palaeolithic is renowned for its 'art', both in the form of portable objects and of motifs and depictions on cave walls. Many of these portray animals, with human imagery playing a relatively minor role. Systematic analysis of human images from three separate zones of south-western France demonstrates that different styles of image were chosen by different communities. The evocative power of the human form, and the conceptual importance of the human image as a depiction of the self, highlights the significance of these Magdalenian representations. Particular attention is drawn to the realistic styles of portrayal employed in some parts of the region. This, it is argued, betokens the arrival of the individual, and the regional styles illustrate the presence of separate Magdalenian territories, occupied by communities that were in contact with one another but that chose different approaches to the human form as expressions of group identity

Aesthetics · Archaeology · Art · Cave · Depiction · Ethnology · Geography · Identity (music · Magdalenian · Prehistory · Rock art · Visual arts · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology · Primate Behavior and Ecology

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    Open Access•Elena Man-Estier, P Paillet•Quaternary International•2018

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Unique citing works14
Citations per year1,27
Citation span2015 - 2026 (12)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 14

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