White Pop, Shiny Armour and a Sling and Stone
Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity
Bibliographic Data
| ID | 3349352 |
|---|---|
| Authors | Said (0000-0001-7366-8923, Excelsia University College, corresponding author) |
| Year | 2021 |
| Volume | 12 |
| Issue | 2 |
| Pages | 123 |
| Publication date | 2021-02-16 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel12020123 |
| OpenAlex | W3131464868 |
| Language | EN |
| References cited | 20 |
It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous musical expressions of worship, which are usually treated as token recognitions of minority groups, and at worst, demonised as irredeemable musical forms. This article draws upon interview data with Christian-Māori leaders from New Zealand and focus group participants of a diaspora Māori church in southwest Sydney, Australia, who considered their views as Christian musicians and ministers. These perspectives seek to challenge the relationship between Indigenous and non-Indigenous relations within a church setting and create a more inclusive philosophy and practice towards being 'one in Christ' with the role of music as worship acting as a case study throughout. It also considers how Indigenous forms of worship impact cultural identity, where Christian worship drawing upon Māori language and music forms has led to deeper connections to congregants' cultural backgrounds
Aesthetics · Art · Christian music · Indigenous · Musical · Sacred music · Social science · Sociology · Theology · Visual arts · Worship · Anthropological Studies and Insights · Climate Change, Adaptation, Migration · Gender Studies · Pentecostalism and Christianity Studies · Philosophy
The Space That Race Makes
Liturgical Studies and Christian Worship
“Mek Some Noise”Gospel Music and the Ethics of Style in Trinidad
Mek Some Noise
Knowing through being known
Globalisation and Indigenous Christianity
On Hillsong’s continued reign over the Australian contemporary congregational song genre
Imagining Jesus doing a Whole Lotta Shakin
Ecstatic Sounds
Racism out of Place
The pastoral role of Contemporary Christian Music
Making Inclusive Communities
Bring Race to the Center
Strategic ethnicity
| Highly cited | No |
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