Visualizing Faith and Futility in the Nuclear Apocalypse

This paper explores the intersection of personal responsibility, futility, and faith in visual representations of nuclear apocalypse. In two films produced during the late Cold War, Testament (1983) and When the Wind Blows (1986), the protagonists attempt to follow public guidance, maintain daily routines as their health and communities break down, and make muddled connections to religious faith. In Testament, a mother is left to care for her children in suburban California for months after an unexplained nuclear attack isolates and contaminates the town. In When the Wind Blows, a retired couple living in the British countryside diligently follow government instructions to "protect and survive", while quickly succumbing to radiation poisoning. In a contrasting post-Cold War visual representation, the speculative artwork of the artists Erich Berger and Mari Keto imagine the storage of nuclear waste as a personal responsibility. In OpenCare (2016), waste is encased in steel pellets mounted on a bronze disc, and a series of artifacts and instructions assist in determining continued toxicity. While Testament and When the Wind Blows project the futility of personal responsibility and faith in nuclear survival, Berger and Keto's system envisions a deep nuclear future requiring continued personal management and care

Bad faith · Faith · New Testament · Nuclear weapon · Political science · Sociology · Theology · Classics · Climate Change Communication and Perception · History · Law · Nuclear Issues and Defense · Philosophy · Risk Perception and Management

• Tourists of History

  Open Access•Marita Sturken•Tourists of History•2007

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