Connecting Historic Graffiti to Past Parishes and Beliefs
Bibliographic Data
| ID | 3354542 |
|---|---|
| Authors | Crystal Hollis (0009-0007-8560-1356, University of Exeter, corresponding author) |
| Year | 2024 |
| Volume | 15 |
| Issue | 3 |
| Pages | 301 |
| Publication date | 2024-02-28 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel15030301 |
| OpenAlex | W4392240427 |
| Language | EN |
| References cited | 9 |
Historic graffiti offer new and interesting insights into late medieval and early modern English society. This paper will show the value of studying these inscriptions by discussing two churches constructed in the late medieval period in Suffolk, England, with drawings of two figures that potentially represent the Virgin Mary and the Christ Child. These drawings are similar and yet quite different in their quality and execution, and they possibly relate to lost medieval imagery within the building. These images may also have been created in response to various iconoclastic movements that occurred as part of the Reformation as well as after it. This paper seeks to encourage further study on the relationship between historic graffiti and local history by observing the connection between the late medieval parish churches of Lidgate and Stradishall and their respective figural drawings by suggesting that graffiti serve a larger purpose than idle drawing or doodling and instead are valuable pieces of evidence about parish life and values
Archaeology · Art · Genealogy · Geography · Graffiti · Sociology · Visual arts · Archaeology and Rock Art Studies · Cultural Heritage Management and Preservation · History · Public Spaces through Art
| Highly cited | No |
|---|