The Artistic and Scientific Collaboration of Blanche Ames Ames and Adelbert Ames II
Bibliographic Data
| ID | 3354864 |
|---|---|
| Authors | Roy R Behrens (0000-0002-5652-4335, corresponding author) |
| Year | 1998 |
| Volume | 31 |
| Issue | 1 |
| Pages | 47 |
| Publication date | 1998-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1576548 |
| OpenAlex | W2326761781 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
During an uninterrupted period from about 1910 through 1913, Blanche Ames Ames (1878-1969), an American artist and women's suffragist, worked closely with her brother, Adelbert Ames 11 (1880-1955), a lawyer, artist and optical physiologist, in a study of color, perspective and other aspects of pictorial art in the hope of using scientific findings to enhance the realism of their paintings. They made significant progress, but their close relationship ended in 1922 as a result of a disagreement about their joint authorship of a published paper
Ames test · Art · Art history · Biology · Aesthetic Perception and Analysis · Bach Studies and Logistics Development · Historical and Literary Studies · Paleontology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,04 |
| Citation span | 2001 - 2001 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |