Le dessinateur de presse, de l'artiste au journaliste
Bibliographic Data
| ID | 3360506 |
|---|---|
| Authors | Christian Delporte (0000-0002-9088-908X, corresponding author) |
| Year | 1992 |
| Issue | 35 |
| Pages | 29 |
| Publication date | 1992-07-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Vingtième Siècle Revue d histoire (JOURNAL) |
| Journal identifiers | ISSN: 0294-1759 • E-ISSN: 1950-6678 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3769720 |
| OpenAlex | W4390366896, W1973479820, W4234475627 |
| Language | FR |
| Citations received | 2 |
The cartoonist, from artist to journalist, Christian Delporte. From the Belle Epoque to the 1930s, the author draws the portrait of three successive generations of cartoonists. Between the first generation (Steinlein, Gill) and the two interwar generations - those of the 1920s (Gassier, Sennep) and those of the 1930s (Effel, Henry), the cartoonists became artist-newspapermen. They became a recognized part of the world of journalism, with recognition, professionnal status and a separate union (1935
Art · Art history · Cartoonist · Humanities · Journalism · Newspaper · Political science · Politics · Portrait · Cultural Insights and Digital Impacts · French Historical and Cultural Studies · French Urban and Social Studies · Historical Studies and Socio-cultural Analysis · Law · Political and Social Issues
| Citations per year | 0.12 |
|---|---|
| Citation span | 2009 - 2023 (15) |
| Highly cited | No |