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The Politics of Handel's Early London Operas, 1711-1718

Bibliographic Data

ID3372699
AuthorsPaul Monod (0000-0002-9247-9738, Professor of History, Middlebury College, corresponding author)
Year2006
Volume36
Issue3
Pages445-472
Publication date2006-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of Interdisciplinary History (JOURNAL)
Journal identifiersISSN: 0022-1953 • E-ISSN: 1530-9169
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/002219506774929746
OpenAlexW2095906856
LanguageEN
Citations received3
References cited25

Athough aristocratic Whigs were the primary supporters of opera during the last years of Queen Anne's reign, Whig publicists launched a series of attacks against Italian opera that revealed social and ideological tensions within the party. The Earl of Shaftesbury, an ardent Whig, gave intellectual weight to the Whig aristocratic taste for opera, but proponents of the popular theater remained unconvinced that this foreign art form could be reconciled with Whig principles. Handel's operas reflected, as well as responded to, these debates

Art · Humanities · Ideology · Literature · Opera · Political science · Politics · Queen (butterfly) · Reign · Taste · Historical Art and Culture Studies · Historical Influence and Diplomacy · History · Law · Musicology and Musical Analysis · Psychology

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Unique citing works3
Citations per year0,17
Citation span2008 - 2013 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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