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Algorithms to Assess Music Cities

Case Study-Melbourne as a Music Capital

Bibliographic Data

ID3373417
AuthorsAndréa Jean Baker (0000-0002-7892-396X, Monash University, Melbourne, Victoria, Australia), Andrea Baker (0000-0002-9650-8268, Monash University, corresponding author)
Year2017
Volume7
Issue1
Pages215824401769180
Publication date2017-01-01
Open AccessYes
TypeARTICLE
VenueSAGE Open (JOURNAL)
Journal identifiersISSN: 2158-2440 • E-ISSN: 2158-2440
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/2158244017691801
OpenAlexW2597227708
LanguageEN
Citations received6
References cited12

The global Mastering of a Music City report in 2015 notes that the concept of music cities has penetrated the global political vernacular because it delivers "significant economic, employment, cultural and social benefits." This article highlights that no empirical study has combined all these values and offers a relevant and comprehensive definition of a music city. Drawing on industry research,1 the article assesses how mathematical flowcharts, such as Algorithm A (Economics), Algorithm B (Four T's creative index), and Algorithm C (Heritage), have contributed to the definition of a music city. Taking Melbourne as a case study, it illustrates how Algorithms A and B are used as disputed evidence about whether the city is touted as Australia's music capital. The article connects the three algorithms to an academic framework from musicology, urban studies, cultural economics, and sociology, and proposes a benchmark Algorithm D (Music Cities definition), which offers a more holistic assessment of music activity in any urban context. The article concludes by arguing that Algorithm D offers a much-needed definition of what comprises a music city because it builds on the popular political economy focus and includes the social importance of space and cultural practices

Context (archaeology) · Linguistics · Musicology · Political science · Politics · Popular music · Social science · Sociology · Vernacular · Visual arts · Cultural Industries and Urban Development · History · Law · Music History and Culture

  • The Role of Classical Music Public Services in Building Urban Cultural Soft Power

    Yahan Chen, Zhong Wang•The Journal of Arts Management…•2024

  • The spatial value of live music

    Open Access•Arno Van Der Hoeven, Erik Hitters•Geoforum•2020

  • How to Promote Music City Scale

    Open Access•Gecheng Zhu•SAGE Open•2025

  • The social and cultural values of live music

    Open Access•Arno Van Der Hoeven, Erik Hitters•Cities•2019

  • The Music City

    Open Access•Martin Cloonan•International Journal of Cultural…•2026

  • Valuing value in urban live music ecologies

    Open Access•Arno Van Der Hoeven, Rick Everts et al.•Journal of Cultural Economy•2022

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    Open Access•Tia Denora•Music in Everyday Life•2000

  • The Rise of the Creative Class

    Richard Florida•The Rise of the Creative Class•2014

  • The Economics of Cultural Policy

    Open Access•David Throsby, C D Throsby•Economics of Cultural Policy•2010

  • Music Scenes and Self Branding (Nashville and Austin)

    Open Access•Andréa Jean Baker, Andrea Baker•Journal of Popular Music Studies•2016

  • Liveability and creativity

    Open Access•Shane Homan•City Culture and Society•2014

  • The sound of silence

    Open Access•Tim Carter•Urban History•2002

  • Sound Tracks

    John Connell, Chris Gibson•Sound Tracks•2003

  • Studying U.S. Music in the Twenty-First Century

    Charles Garrett, Charles Hiroshi Garrett et al.•Journal of the American…•2011

Citations per year0.86
Citation span2019 - 2026 (8)
Highly citedNo

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