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Why Venice? Venetian Society and the Success of Early Opera

Bibliographic Data

ID3373891
AuthorsEdward Muir (Professor of the Arts and Sciences, Northwestern University, corresponding author)
Year2006
Volume36
Issue3
Pages331-353
Publication date2006-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Journal of Interdisciplinary History (JOURNAL)
Journal identifiersISSN: 0022-1953 • E-ISSN: 1530-9169
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/002219506774929854
OpenAlexW2028454275
LanguageEN
Citations received4
References cited13

Why did opera first succeed as a public art form in Venice between 1637 and 1650 when all the elements of the new form were fully evident? The answer is to be found in the conjunction between Venetian carnival festivity and the intellectual politics of Venetian republicanism during the two generations after the lifting of the papal interdict against Venice in 1607. During this extraordinary period of relatively free speech, which was unmatched elsewhere at the time, Venice was the one place in Italy open to criticisms of Counter Reformation papal politics. Libertine and skeptical thought flourished in the Venetian academies, the members of which wrote the librettos and financed the theaters for many of the early Venetian operas

Aesthetics · Art · Art history · Opera · Period (music) · Political science · Politics · Skepticism · Theology · Classics · History · Law · Musicology and Musical Analysis · Philosophy · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies

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    J R Gold, Margaret M Gold et al.•Festival Cities•2020

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    John A Davis•The Journal of Interdisciplinary…•2006

  • Relocating Civil Society

    Open Access•Maarten Van Dijck, Maarten F Van Dijck et al.•Social Science History•2017

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    James Harvey Johnson•Listening in Paris•1995

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    Hannah Lavery, John G Turner et al.•Rocky Mountain Review of Language…•2006

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    Christopher Carlsmith•Sixteenth Century Journal•2002

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    Francesco C Cesareo•Sixteenth Century Journal•1996

  • The Short, Lascivious Lives of Two Venetian Theaters, 1580-85

    Open Access•Eugene J Johnson•Renaissance Quarterly•2002

  • Prosperity or Hard Times in Renaissance Italy

    Open Access•J C Brown•Renaissance Quarterly•1989

  • The Song of the Soul

    Open Access•Andrew Dell’antonio, Andrew Dell'Antonio et al.•Notes•1994

  • Homo ludens

    Johan Huizinga•Homo Ludens•2008

  • The Social History of Skepticism

    Christopher Grasso, Brendan Dooley•The William and Mary Quarterly•2000

  • Economic Depression of the Renaissance

    Open Access•C M Cipolla, Harry A Miskimin•The Economic History Review•1964

Unique citing works4
Citations per year0,2
Citation span2006 - 2021 (16)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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