Genre work
How' vs 'what' questions in the sociology of music culture
Bibliographic Data
| ID | 3376679 |
|---|---|
| Authors | R Nowak (0000-0003-2017-3091, University of York), Andrew Whelan (0000-0001-9420-7456, University of Wollongong, corresponding author) |
| Year | 2023 |
| Volume | 71 |
| Issue | 3 |
| Pages | 491-507 |
| Publication date | 2023-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Sociological Review (JOURNAL) |
| Journal identifiers | ISSN: 0038-0261 • E-ISSN: 1467-954X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/00380261221111874 |
| OpenAlex | W4298395938 |
| Language | EN |
| Citations received | 2 |
| References cited | 46 |
The established conceptual frameworks in the sociology of music largely name forms of social collective, albeit emphasising different characteristics. 'Scene' and 'neo-tribe' are the principal contemporary examples of this. In this article, we describe scene and neo-tribe as conceptual responses to what questions (What kind of sociality is this? What kind of cultural context is this?). We engage critically with scene and neo-tribe, and with the underlying logic of sociological explanation which posits and then answers what questions about social collectives as the best means of accounting for social practices around music. We do this to advocate sociological enquiry into music via how questions, suggesting that such questions have a specific sociological trajectory which presents underexplored opportunities for the sociology of popular music. To this end, we introduce and describe the concept of 'genre work', to investigate how musical development and social groups are co-constituted through the same social processes and dynamics. We argue that scene and neo-tribe tend to background the empirical processes (and the music) around which their respective research agendas are oriented. Genre work and similar approaches, in contrast, seek to document and analyse the discourses, interactional forms and mediated and co-present activities by which genres and the social groupings interested in them are mutually cohered
Context (archaeology) · Epistemology · Musical · Social science · Sociality · Sociology · Sociology of culture · Tribe · Anthropology · Diverse Music Education Insights · Music History and Culture · Social and Cultural Dynamics
Resort Spatiality
Talk in Action
Banding Together
Studies in ethnomethodology
Neo-Tribes
Consuming Music in the Digital Age
What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector
Mundane Reason
Sorting Things Out
Questions of Cultural Identity
The Time of the Tribes
Scene Thinking
Vaporwave Is (Not) a Critique of Capitalism”
Ons is saam’ – Afrikaans metal and rebuilding whiteness in the Rainbow Nation
MySpace bands’ and ‘tagging wars’
Investigating the interactions between individuals and music technologies within contemporary modes of music consumption
Popular Music Heritage, Grass-Roots Activism and Web 2.0
Mild-mannered bistro by day, eclectic freak-land at night
Subcultures, Scenes or Tribes? None of the Above
Performances of social class, race and gender through youth subculture
Urban vibes in a rural setting
The Advent of the Tragic
From classlessness to clubculture
Studies in Symbolic Interaction
After Method
Categorization and the moral order
Pandora's hope
Teenyboppers, Groupies, and Other Grotesques
Classification as Culture
Punk is just a state of mind
Qui est l'autre ? Un itinéraire anthropologique
Making Friends with Jarvis Cocker
MDA as a Research Method of Generic Musical Analysis for the Social Sciences
Music and the materialization of identities
Subcultures or Neo-tribes? Rethinking the Relationship Between Youth, Style and Musical Taste
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |