Blackfoot War Art
Pictographs of the Reservation Period, 1880-2000
Bibliographic Data
| ID | 3380609 |
|---|---|
| Authors | Joyce M Szabo, L James Dempsey |
| Year | 2008 |
| Volume | 39 |
| Issue | 3 |
| Pages | 380 |
| Publication date | 2008-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Western Historical Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0043-3810 • E-ISSN: 1939-8603 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.2307/25443768 |
| OpenAlex | W640554791 |
| Language | EN |
| Citations received | 10 |
Art · Computer network · Period (music) · Reservation · American Environmental and Regional History · Canadian Identity and History · Computer Science · History · Photography and Visual Culture
Cultural transmission of Blackfoot ceremonial bundles
Noticeboard
Reconsidering American Indian historical trauma
Assessing the chronology of post-contact rock art on the northern Plains via multivariate statistical comparison with Blackfoot biographic art
Ambrose Bierce’s Indian inscriptions
Helen's Quilt as Autobiographical, Social, and Political Text in Thomas King's Truth and Bright Water
Cheval Bonnet
The bison skin with a 'war scene' from the V.M. Florinskiy Museum of Archaeology and Ethnography of Siberia (National Research Tomsk State University)
Digging Ditches
Beyond Oral History
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,56 |
| Citation span | 2008 - 2020 (13) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |