The Virgin Mary in the Early Modern Italian Writings of Vittoria Colonna, Lucrezia Marinella, and Eleonora Montalvo
Bibliographic Data
| ID | 3387403 |
|---|---|
| Authors | Jennifer Haraguchi (Brigham Young University, corresponding author) |
| Year | 2018 |
| Volume | 9 |
| Issue | 2 |
| Pages | 59 |
| Publication date | 2018-02-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel9020059 |
| OpenAlex | W2791327841 |
| Language | EN |
| References cited | 13 |
The Marian writings of the Roman poet Vittoria Colonna (1490/92-1547), the Venetian polemicist Lucrezia Marinella (1579-1653),1 and the Florentine educator Eleonora Montalvo (1602-1659) present an accessible model of the Virgin Mary in the early modern period that both lay and religious women could emulate in order to strengthen their individual spirituality. While the Catholic Church encouraged women to accept and imitate an ideal of the Virgin Mary's character traits and behavior for the good of society, these three women writers constructed a more fruitful narrative of the Virgin's life and experience that included elements and imagery that would empower women to enhance their personal practice of meditation
Art · Art history · Literature · Meditation · Narrative · Spirituality · Theology · Early Modern Women Writers · Medicine · Philosophy · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |